Trainee takes centre stage

Kaine Sultan-Babij is the first to admit that when he joined Bangarra Dance Theatre’s trainee program earlier this year, he assumed he’d be the dance equivalent of the work experience kid.

A few short months later, though, he’s midway through a national tour of the company’s latest production, Belong.

“I thought I’d just be somewhere up the back learning the repertoire and taking it all in. It’s such a privilege to instead be a real part of [the show] and be able to perform alongside all these dancers who’ve inspired me. I really didn’t expect to have such an active role in the production.”

Belong comprises two separate works: ID by artistic director Stephen Page and About by Elma Kris.

Torres Strait Islander Kris’ piece uses movements to represent the “wind spirits from the Torres Strait,” Sultan-Babij explained, while Page’s work “is really relevant to Indigenous people living in the 21st century: where do we belong? Where do we fit in? His work is really something that audiences can grasp onto”.

It’s also provoked questions for Sultan-Babij, whose background includes Aboriginal, Afghan and Yugoslavian heritage.

“I grew up with Mum and Dad together, and every house we lived in, Mum painted an Aboriginal flag on the wall. It’s almost like we were born into it, without Mum having to lecture us about our culture and customs.

“Now, I want to learn more about my Dad’s side, my Yugoslavian heritage. Bangarra’s really impacted on me across the board when it comes to learning about my own identity and ancestry.”

INFO: Belong plays at the Sydney Opera House until August 20. www.bangarra.com.au